Former President Donald Trump has called for the prosecution of Beyoncé, alleging she illegally received an $11 million payment for endorsing Kamala Harris during a 2024 campaign event. However, this claim is unsubstantiated, as federal campaign records show only a $165,000 payment to Beyoncé’s production company, attributed to event production costs, not endorsement fees. Trump offered no evidence for his claim, which echoes a previously debunked assertion of a $10 million payment. Furthermore, Trump incorrectly stated that paying for political endorsements is illegal, and has a history of calling for the prosecution of political opponents.
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While in Scotland, former President Trump launched a late-night social media attack, threatening legal action against Kamala Harris, Oprah Winfrey, and Beyoncé, alleging illegal endorsements. He baselessly accused the Democrats of paying exorbitant sums for endorsements, despite denials from those involved and a lack of evidence. Trump also suggested that news networks, which he perceives as aligned with the Democratic Party, should have their broadcasting licenses revoked. This isn’t the first time Trump has targeted media and public figures, using legal threats and lawsuits to address what he sees as unfair coverage.
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Following Bruce Springsteen’s criticism of the Trump administration, Trump called for a “major investigation” into celebrity campaign appearances for Kamala Harris, alleging illegal in-kind contributions. This centers on payments made to the production companies of Springsteen, Beyoncé, Oprah Winfrey, and Bono, raising questions about FEC interpretations of campaign event performances. While some payments are documented, claims of exorbitant personal payments to the performers are unsubstantiated, with some celebrities denying receiving personal compensation. The FEC has yet to respond to Trump’s call for an investigation.
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Following Bruce Springsteen’s critical performance at a Kamala Harris rally, President Trump launched a scathing attack, demanding an investigation into alleged illegal campaign contributions from Springsteen, Beyoncé, Oprah Winfrey, and Bono. Trump’s accusations stem from the celebrities’ appearances at campaign events, prompting claims of unreported payments. However, the Harris campaign clarified that while they covered production costs, no artists received direct payments for their endorsements. Despite this clarification, Trump continues to allege widespread illegality and corruption.
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At the 2025 Grammy Awards, Beyoncé finally won Album of the Year for “Cowboy Carter,” becoming only the fourth Black woman to achieve this honor. Kendrick Lamar secured both Song and Record of the Year for “Not Like Us,” while Chappell Roan’s Best New Artist win included a powerful speech advocating for better treatment of artists. The show also featured The Weeknd’s return performance, reflecting the Recording Academy’s efforts towards greater diversity, and incorporated tributes to Los Angeles, highlighting its resilience amidst recent wildfires. Multiple first-time winners and memorable performances rounded out the evening.
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Amber Rose’s recent claim that Beyoncé plagiarized her speech is a perplexing instance of self-aggrandizement that speaks volumes about modern celebrity culture and the absurd lengths people will go to assert their relevance. The boldness of asserting that Beyoncé, an iconic figure in the music industry with a substantial following and a legacy of empowerment, would want to mimic Amber Rose is mind-boggling. It’s not just the audacity; it’s also indicative of a deeper, almost desperate need for recognition that seems to drive Amber.
Reflecting on this situation, it feels like a collision of egos, where one party seems to misunderstand the dynamics at play.… Continue reading
As news broke that Beyoncé was issuing a cease-and-desist over the Trump campaign’s unauthorized use of her song, ‘Freedom,’ my first instinct was one of admiration for her swift and assertive action. In a world where artists often struggle to protect their intellectual property, it is refreshing to see someone of her caliber taking a stand against such blatant misuse.
The issue of artists having their work misappropriated for political gain is not a new phenomenon. However, the audacity of the Trump campaign to use Beyoncé’s music without permission is particularly egregious. It speaks to a larger issue of disrespect for individual rights and the assumption that powerful figures can simply disregard the wishes of those they seek to exploit.… Continue reading
Kamala Harris made her grand entrance at the DNC to the iconic sounds of Beyoncé, and the energy in the room was electric. The standing ovation she received was a testament to the impact she has already made on the American people. The choice to walk out to music that empowers and uplifts was a strategic move that set the tone for her memorable debut.
As I watched Kamala Harris stride confidently onto the stage in her tan suit, I couldn’t help but feel a surge of pride. The symbolism behind the tan suit was not lost on me, as it served as a subtle nod to the legacy of Barack Obama and the faux outrage that surrounded his own choice of attire.… Continue reading
John Q. Hosedrinker 
Matt Underwood